With The Duke of Burgundy, the cinephilic English director Peter Strickland has made his third — and perhaps best — film to playfully riff on genre conventions. What begins as a bloodless tale of mistress and maid blossoms
The Duke of Burgundy
With The Duke of Burgundy, the cinephilic English director Peter Strickland has made his third — and perhaps best — film to playfully riff on genre conventions. What begins as a bloodless tale of mistress and maid blossoms
